Compiled from Collecting Chinese Antiquities in Hong Kong
In
the year 1122 BC, a rebel tribal chieftan from the Zhou tribe defeated the last
Shang emperor Ti-hsin Tzu-shou at the famous battle of Muyeh. The Shang army
with 70,000 troops was completely routed by the 45,000 strong Zhou forces. The
Shang emperor fled to his capitol and burnt himself to death in the Deer
Pavilion. After 662 years, the Shang dynasty disappeared.
Chi
Fa established a new capital in modern Sian in
1121 BC. He dropped the title of emperor and became King Wu. In 771 BC, nomads
forced the Zhou king to move to the capitol eastwards to Loyang .
This ended the western Zhou period and created the Eastern Zhou (BC 770-221).
Clearly
influenced by the Shang culture, Western Zhou pottery can be categorized as
utilitarian, architectural, and primitive green ware. This was the first time
primitive glazing occurred in pottery, marking a historical moment in pottery
technique. This primitive glazing can be found in Yueh pottery. A small number
of pottery figurines have been found, but such findings are extremely rare.
Only
with the move to Loyang did a distinctive
Eastern Zhou art culture emerge. Following Confucius teachings, Chinese
historians refer to the Eastern Zhou period as the Spring and Autumn period. Warfare during this time led to advances
in philosophy, commerce and technology. Significant changes occurred in kiln
structure that allowed for new firing techniques that provided more even
glazing. This also marked the emergence of fully developed green ware.
The
Spring and Autumn period ended in BC 475 with the defeat of the state of Lu by
the Ch’u. The Warring States period followed, characterized by intense warfare
between seven rival states. The Warring States period continued using the
techniques developed in the Spring and Autumn period. Green ware from the
Kiangsu and Chekiang region was often elegant
in design, with fine greenish-white clay and green glaze with a hint of blue.
Besides green ware, typical ceramics had grey painted ware and incised black
ware. Ceramics were made to imitate bronze. This kind of ware was produced
using intense firing at temperatures over 1,000 degrees Celsius, and incised
with a sharp steel knife.
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