What is 'Famille Rose?'
Famille Rose porcelain, also known as "fengcai" in Chinese, is renowned for its pinkish hue, a result of the addition of colloidal gold to the glaze.
This technique was introduced to China from Europe during the Qing Dynasty Emperor Yongzheng's reign in the 18th century.
Famille Rose pieces continued to be produced until the end of the Qing Dynasty in 1911, with its peak during Emperor Yongzheng's rule. Notably, these pieces were made at the famous Imperial kilns of Jingdezhen.
Lotus and Egret: A Dance of Purity and Grace
The circular box, a captivating canvas for the artist's vision, features a mesmerizing scene: lotuses and egrets.
In Chinese culture, the lotus flower holds immense symbolic weight. Its pristine blooms emerge from muddy waters, representing resilience, purity, and spiritual enlightenment.
The lotus's ability to thrive in adversity resonates deeply, serving as a reminder to remain untainted by the world's imperfections. Juxtaposed with the lotus is the elegant egret, a symbol of longevity, grace, and nobility.
Often depicted perched on lotus stalks, the egret embodies a harmonious connection between the earthly and the spiritual realms.
The pairing of lotus and egret on this box transcends mere aesthetics. It represents an aspiration towards a life of integrity and refinement, a concept highly valued by the Chinese literati class.
The serene beauty of the lotus and the poised elegance of the egret would have served as a constant reminder to cultivate inner peace and moral uprightness, qualities considered essential for a virtuous life.
A Box of Untold Stories
The circular box itself, although seemingly unassuming, held a practical purpose.
Often referred to as a "yuanzhuan he" (round box with a cover), these containers were used by the Qing court elite for a variety of purposes.
They may have held precious trinkets, jewelry, or even medicinal ingredients. The circular form, with its smooth, continuous line, symbolizes wholeness and unity. The meticulously crafted cover ensured the safekeeping of the treasured contents within.
Beyond its utilitarian function, the box served as a miniature work of art, reflecting the refined tastes of its owner.
The famille rose decoration, with its intricate details and symbolism, elevated the box from a mundane object to a conversation piece, a testament to the owner's social standing and appreciation for artistic beauty.
Owning such a box would have been a mark of distinction, a coveted possession displayed during social gatherings or used in private moments of contemplation.
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