Sunday, 14 October 2018
Chinese Artist Fears Ink Painting Tradition Is Being Tarnished By Need To Stay Relevant
Luo Ying is a purist. The professor of traditional Chinese painting practises what she teaches: her classical ink landscape paintingsborrow techniques and styles of brushwork used as far back as the Song dynasty (960 – 1279AD).
“Chinese ink painting is the quintessence of our nation’s heritage. It is a timeless, classical art form that we can proudly show off to the world. There is no need to adulterate it with contemporary elements,” says the 44-year-old Hangzhou native at her first exhibition in Hong Kong.
Luo fears that clumsy attempts to make Chinese ink art relevant to today’s world can take the focus away from traditional techniques and the underlying philosophy of the ancient art form. “Showing figures wearing face masks to make a point about air pollution is a bad idea, I think. You can watch the news if you want to find out about current affairs. Chinese paintings are not supposed to be about that.”