Translate

Saturday, November 11, 2017

Bowl Sells for Chinese Porcelain Record $37.7 million: Sotheby´s


A 1,000-year-old bowl from China's Song Dynasty sold at auction for $37.7 million on Tuesday, breaking the record for Chinese porcelain, auction house Sotheby´s said.
The small piece -- which dates from 960-1127 -- broke the previous record of $36.05 million set in 2014 for a Ming Dynasty wine cup which was sold to a Shanghai tycoon.
Bidding started at around $10.2 million and the auction lasted for 20 minutes before the winning offer came from a phone bidder.
The bowl -- originally designed to wash brushes -- is an example of extremely rare Chinese porcelain from the imperial court of the Northern Song Dynasty and one of only four pieces in private hands, according to Sotheby's.
Measuring 13cm in diameter, the dish features a luminous blue glaze.
The sale broke the "world auction record for any Chinese ceramics", the auction house announced after the bidding.
It exceeded an earlier record made by a tiny white porcelain cup, decorated with a colour painting of a rooster and a hen tending to their chicks, created during the reign of the Chenghua Emperor between 1465 and 1487.

The cup sold in 2014 to taxi-driver-turned-financier Liu Yiqian, one of China's wealthiest people and among a new class of Chinese super-rich scouring the globe for artwork.

http://www.dailymail.co.uk/wires/afp/article-4943172/Bowl-sells-Chinese-porcelain-record-37-7-million-Sotheby-s.html

Saturday, October 21, 2017

Hong Kong’s Subdued Spring Auction Sales: Too Few Good Lots or Too Many Auction Houses? By Enid Tsui


China’s ultra-rich are still buying luxury homes in Hong Kong and the Hang Seng index is up 16 per cent so far this year. So why is the local auctions market so subdued?

The second round of spring auctions was held over the last week of May and almost all the major auction houses reported flat or lower results compared with last year’s – just as Sotheby’s and Poly Auction reported lacklustre sales in April when they had their spring sales.

On May 31, a celadon-glazed “double dragon” amphora from the Qing dynasty reign of Emperor Yongzheng was sold for HK$140.5 million, becoming the most expensive monochrome Chinese porcelain sold in auctions.

Christie’s also sold Zhang Daqian’s Ancient Temples Amidst Clouds (1965) for a whopping HK$102.5 million in a single-lot sale with its own catalogue. But it’s a far cry from the HK$270.7 million that Chinese billionaire Liu Yiqian paid for Zhang’s Peach Blossom Spring (1982), another of his splashed-ink landscapes, a year ago.

Beijing’s crackdown on corrupt officials has probably had an impact, for they, or their bribers, definitely bought through auctions. But capital controls should also have made a dent in the luxury property market and other sectors popular with Chinese investors.
“I don’t think they have much of an effect on the sale of high-value lots in auctions,” said William Chak Kin-man, a veteran antiques dealer based in Hollywood Road. “The ultra-rich have so many assets outside the country they cannot be affected. I think it’s because there are too many mediocre lots in the sales. When something really good appears on the market, people are happy to pay for it.”
Guillaume Cerutti, new chief executive officer at Christie’s, told the Post that he expected the situation to improve this year.
Bonhams, which has become more low-profile these days, saw quite lively bidding at its recent sales of Chinese paintings and works of art, he said.
“The real problem for auction houses is competition,” Chak said. “Thirty auction houses were active during so-called Asia Week in Hong Kong this month. Last year, it was 20. The market is being stretched thinner. I think collectors will appreciate having more time to look around and not feel quite so pressurised.”

To view the full article, please go to:
http://www.scmp.com/culture/arts-entertainment/article/2096536/hong-kongs-subdued-spring-auction-sales-too-few-good-lots



Saturday, October 14, 2017

Our Featured Items for Oct - Nov 2017


Dear readers,



Below are our featured items for Oct - Nov 2017. Please feel free to drop by if you happen to be in the area.


Venue: Naik Antiques and Oriental Gifts


Address: 111M, Jln SS21/37, Damansara Utama, 47400 Petaling                   Jaya, Selangor


For further inquiries, please feel free to contact May at 018 3867939.

















Sunday, October 8, 2017

Chinese Ru-ware Bowl Sets $38m Auction Record in Hong Kong


A 1,000-year-old bowl from China's Song Dynasty has sold at auction in Hong Kong for almost US$38m (£28m) - a record for Chinese porcelain.
Sotheby's, the auction house, said the rare Ru-ware brush-washer sold after 20 minutes of tense bidding from a handful of phone bidders, and one in the room.
The little piece measures 13cm (5in) across and is glazed in a blue-green colour.
The bowl's buyer has chosen to remain anonymous.
Bidding began at around $10.2m, and the winning offer - from a phone bidder - was greeted with a round of applause.
Sotheby's head of Chinese Art, Nicolas Chow, called the dish "extraordinarily rare".
"We didn't expect quite that price but we knew there was going to be a fight," he said. "Every time there is a piece of Ru-ware, which is an extremely unusual occurrence, there's always a battle, because it is the most talked about, the most celebrated of all wares in the history of Chinese ceramics.
"Most forged as well - I mean, I receive almost on a daily basis emails saying: 'Oh, I've got a piece of Ru-ware, etc.' But actually there are only four pieces of heirloom Ru-ware [that] exist in private hands."
The bowl's sale trumped the previous $36m record set in 2014 by a Ming Dynasty wine cup, which was bought by financier Liu Yiqian.
Mr Liu, a one-time taxi driver, is one of China's wealthiest men - and its most high-profile art collector.

http://www.bbc.com/news/world-asia-41480690

Saturday, September 16, 2017

Hidden Treasures: Why Chinese Ceramics Sell for Millions By Georgia McCafferty


Stories of "undiscovered" Chinese ceramics that sell for spectacular prices at auction inspire some to hunt through their attics for potential hidden treasure. Occasional finds such as a Chinese "Ding" bowl that was purchased for $3 at a yard sale and subsequently sold at a 2013 New York auction for $2.2 million help keep local flea markets busy. But discoveries like these are the exception rather than the rule, according to Nicolas Chow, chairman of Chinese works of art at Sotheby's Asia.

CNN spoke with Chow to find out what makes Chinese ceramics so special, what to look for when appraising a piece and how to avoid getting duped.

1. CNN: What makes one piece of Chinese porcelain more valuable than another?
NC: There are a few fundamental tenants when you look at an object. These are rarity, quality, beauty, condition and provenance. You could also add historical value.

2. CNN: What advice would you give someone who is thinking about becoming a collector of fine Chinese ceramics?
NC: Firstly start on the right track. Develop your interest through museum visits, and then come to auction previews. Not necessarily to buy the first time but they are an open space, a transparent platform. You can look, touch, you can get a feel for what these objects should look and feel like without having to buy anything.
And I would say give yourself at least one or two seasons to get familiar and really find what it is you are particularly interested in, because Chinese ceramics is a vast subject. Then do price research to get a sense of where the market sits.

3. CNN: You mentioned that rising prices have resulted in an increasing number of sophisticated fakes in the collecting market. Have you met many people who have a collection they believe is real but has turned out to be fake?
NC: This is the story of my life basically (laughs). My real fear for anyone starting to collect is getting on the wrong track, because once you're there it's hard to extract yourself and I meet people who have spent a lifetime buying fakes.
It can sound quite scary for anyone wanting to buy Chinese porcelain but the truth is, there wouldn't be so much money in our field if there was not such great consensus between auction house specialists, art dealers and museum curators as to what is genuine and what is fake. That's why I recommend starting in a transparent environment.
The fake industry is sophisticated, but rarely do these two paths cross.

4. CNN: How have the 'fakers' gotten so sophisticated?
NC: Before the imperial kiln site in Jingdezhen had been excavated in the mid 1990s, fakers couldn't work with the real thing and so they couldn't feel or tell how it felt. But since the kilns have been properly excavated, there are so many shards there, the fakers can get a hold of this material and get a sense of how an eighteenth century or fifteenth century body should feel. So since then there's been a huge leap in faking the clay and the body of these porcelains.

5. CNN: How can you assess whether a piece of porcelain is real or fake?
NC: It's complex, but it's like when you see your mother. What makes her is the voice, the demeanor, the physical appearance, the smell, it's all these elements together, so it's the same with an object.
What makes a fine piece of Chinese porcelain is the weight, the tactile feel of the glaze and the body on the base, how the mark is inscribed on the base. It's how the design is painted, the enamel used for that design, how does it shine, and how do the colors appear.

The full interview is available at:


http://edition.cnn.com/style/article/sothebys-ceramics/index.html

Saturday, September 2, 2017

With an Eye to National Identity, Beijing vows to Stem Loss of Cultural Treasures by Jun Mai

Beijing has pledged to take greater steps to protect its wealth of cultural artefacts, in part by meting out stricter punishment for the theft or destruction of relics.
The State Administration of Cultural Heritage will also set up two offices to oversee the movement of antiques across borders in the country’s free-trade zones and bonded areas, according to the organisation’s annual working plan released last week.
Under the working plan, the administration intends to better protect relics against fire, theft and destruction. It calls for stricter punishment for crimes involving relics although details were not given.
During the first half of the 20th century, the mainland saw a flood of antiques out of the country, some looted by foreign troops. Beijing’s official narrative views the loss as a humiliation by Western powers.
In one notable case in 2013, two bronze statues originally from the Summer Palace and dating to the Qing dynasty (1644-1911) were returned to Beijing by a French collector. They were among the 12 animal head statutes looted by Anglo-French forces, which raided and burned the palace in 1860 during the Opium war.
Last year, Beijing banned the auction of looted antiques in its latest regulation on cultural relic auctions. According to the United Nations cultural organisation Unesco, about 1.67 million Chinese relics are housed in more than 200 museums across 47 countries.
The Chinese Cultural Relics Society said the mainland had lost more than 10 million antiques since 1840 due to wartime looting and illegal excavations. But Beijing also faces a serious problems of looting at home.
Experts believe the growing tide of wealth on the mainland has given rise to a lucrative black market trade in antiquities as collectors compete to acquire prized artefacts without considering their origin. Archaeologists have also complained about the destructive impact of aggressive tomb raiders who care little about using explosives to get access to treasures.
http://www.scmp.com/news/china/policies-politics/article/2072199/eye-national-identity-beijing-vows-stem-loss-cultural