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Saturday, October 14, 2017

Our Featured Items for Oct - Nov 2017


Dear readers,



Below are our featured items for Oct - Nov 2017. Please feel free to drop by if you happen to be in the area.


Venue: Naik Antiques and Oriental Gifts


Address: 111M, Jln SS21/37, Damansara Utama, 47400 Petaling                   Jaya, Selangor


For further inquiries, please feel free to contact May at 018 3867939.

















Sunday, October 8, 2017

Chinese Ru-ware Bowl Sets $38m Auction Record in Hong Kong


A 1,000-year-old bowl from China's Song Dynasty has sold at auction in Hong Kong for almost US$38m (£28m) - a record for Chinese porcelain.
Sotheby's, the auction house, said the rare Ru-ware brush-washer sold after 20 minutes of tense bidding from a handful of phone bidders, and one in the room.
The little piece measures 13cm (5in) across and is glazed in a blue-green colour.
The bowl's buyer has chosen to remain anonymous.
Bidding began at around $10.2m, and the winning offer - from a phone bidder - was greeted with a round of applause.
Sotheby's head of Chinese Art, Nicolas Chow, called the dish "extraordinarily rare".
"We didn't expect quite that price but we knew there was going to be a fight," he said. "Every time there is a piece of Ru-ware, which is an extremely unusual occurrence, there's always a battle, because it is the most talked about, the most celebrated of all wares in the history of Chinese ceramics.
"Most forged as well - I mean, I receive almost on a daily basis emails saying: 'Oh, I've got a piece of Ru-ware, etc.' But actually there are only four pieces of heirloom Ru-ware [that] exist in private hands."
The bowl's sale trumped the previous $36m record set in 2014 by a Ming Dynasty wine cup, which was bought by financier Liu Yiqian.
Mr Liu, a one-time taxi driver, is one of China's wealthiest men - and its most high-profile art collector.

http://www.bbc.com/news/world-asia-41480690

Saturday, September 16, 2017

Hidden Treasures: Why Chinese Ceramics Sell for Millions By Georgia McCafferty


Stories of "undiscovered" Chinese ceramics that sell for spectacular prices at auction inspire some to hunt through their attics for potential hidden treasure. Occasional finds such as a Chinese "Ding" bowl that was purchased for $3 at a yard sale and subsequently sold at a 2013 New York auction for $2.2 million help keep local flea markets busy. But discoveries like these are the exception rather than the rule, according to Nicolas Chow, chairman of Chinese works of art at Sotheby's Asia.

CNN spoke with Chow to find out what makes Chinese ceramics so special, what to look for when appraising a piece and how to avoid getting duped.

1. CNN: What makes one piece of Chinese porcelain more valuable than another?
NC: There are a few fundamental tenants when you look at an object. These are rarity, quality, beauty, condition and provenance. You could also add historical value.

2. CNN: What advice would you give someone who is thinking about becoming a collector of fine Chinese ceramics?
NC: Firstly start on the right track. Develop your interest through museum visits, and then come to auction previews. Not necessarily to buy the first time but they are an open space, a transparent platform. You can look, touch, you can get a feel for what these objects should look and feel like without having to buy anything.
And I would say give yourself at least one or two seasons to get familiar and really find what it is you are particularly interested in, because Chinese ceramics is a vast subject. Then do price research to get a sense of where the market sits.

3. CNN: You mentioned that rising prices have resulted in an increasing number of sophisticated fakes in the collecting market. Have you met many people who have a collection they believe is real but has turned out to be fake?
NC: This is the story of my life basically (laughs). My real fear for anyone starting to collect is getting on the wrong track, because once you're there it's hard to extract yourself and I meet people who have spent a lifetime buying fakes.
It can sound quite scary for anyone wanting to buy Chinese porcelain but the truth is, there wouldn't be so much money in our field if there was not such great consensus between auction house specialists, art dealers and museum curators as to what is genuine and what is fake. That's why I recommend starting in a transparent environment.
The fake industry is sophisticated, but rarely do these two paths cross.

4. CNN: How have the 'fakers' gotten so sophisticated?
NC: Before the imperial kiln site in Jingdezhen had been excavated in the mid 1990s, fakers couldn't work with the real thing and so they couldn't feel or tell how it felt. But since the kilns have been properly excavated, there are so many shards there, the fakers can get a hold of this material and get a sense of how an eighteenth century or fifteenth century body should feel. So since then there's been a huge leap in faking the clay and the body of these porcelains.

5. CNN: How can you assess whether a piece of porcelain is real or fake?
NC: It's complex, but it's like when you see your mother. What makes her is the voice, the demeanor, the physical appearance, the smell, it's all these elements together, so it's the same with an object.
What makes a fine piece of Chinese porcelain is the weight, the tactile feel of the glaze and the body on the base, how the mark is inscribed on the base. It's how the design is painted, the enamel used for that design, how does it shine, and how do the colors appear.

The full interview is available at:


http://edition.cnn.com/style/article/sothebys-ceramics/index.html

Saturday, September 2, 2017

With an Eye to National Identity, Beijing vows to Stem Loss of Cultural Treasures by Jun Mai

Beijing has pledged to take greater steps to protect its wealth of cultural artefacts, in part by meting out stricter punishment for the theft or destruction of relics.
The State Administration of Cultural Heritage will also set up two offices to oversee the movement of antiques across borders in the country’s free-trade zones and bonded areas, according to the organisation’s annual working plan released last week.
Under the working plan, the administration intends to better protect relics against fire, theft and destruction. It calls for stricter punishment for crimes involving relics although details were not given.
During the first half of the 20th century, the mainland saw a flood of antiques out of the country, some looted by foreign troops. Beijing’s official narrative views the loss as a humiliation by Western powers.
In one notable case in 2013, two bronze statues originally from the Summer Palace and dating to the Qing dynasty (1644-1911) were returned to Beijing by a French collector. They were among the 12 animal head statutes looted by Anglo-French forces, which raided and burned the palace in 1860 during the Opium war.
Last year, Beijing banned the auction of looted antiques in its latest regulation on cultural relic auctions. According to the United Nations cultural organisation Unesco, about 1.67 million Chinese relics are housed in more than 200 museums across 47 countries.
The Chinese Cultural Relics Society said the mainland had lost more than 10 million antiques since 1840 due to wartime looting and illegal excavations. But Beijing also faces a serious problems of looting at home.
Experts believe the growing tide of wealth on the mainland has given rise to a lucrative black market trade in antiquities as collectors compete to acquire prized artefacts without considering their origin. Archaeologists have also complained about the destructive impact of aggressive tomb raiders who care little about using explosives to get access to treasures.
http://www.scmp.com/news/china/policies-politics/article/2072199/eye-national-identity-beijing-vows-stem-loss-cultural

Saturday, August 26, 2017

Featured Zisha Teapots at Naik Antiques and Oriental Gifts for Aug - Sept 2017


Dear readers,

Please feel free to drop by and have a look at our featured Zisha teapots for Aug - Sept 2017:)

Venue: Naik Antiques & Oriental Gifts

Add: 111M, Jln SS 21/37, Damansara Utama (Same row as HSBC), 47400 PJ, Selangor.



















For further inquiries, please do not hesitate to contact May at 018 3867939.

Saturday, August 19, 2017

Rising China: Why a Chinese Vase Made €740,000 at Auction By Michael Parsons















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“Chinese vase sells for record price. ” Heard it before? Well, here we go again.
Last Saturday, a bidding war lasting seven minutes unexpectedly erupted during Sheppard’s auction of Chinese Ceramics, in Durrow, Co Laois. Lot 86, an antique blue-and-white “Qing Period” vase measuring just 23cm sold for €740,000 – 740 times its median pre-sale estimate (€800-€1,200) – and a record price for a piece of decorative art at auction in Ireland.
Why was it so valuable?
The vase was catalogued as “Qing Period” – a reference to the imperial Qing dynasty that ruled China from 1636 until 1912. But the bidders believed that the vase had a personal connection to the 18th-century Emperor Qianlong who reigned from 1735-1796 and was a major patron of the arts and a collector of carved jade, bronzes and ceramics. The vase was likely to have been either part of his personal collection or to have been given by him as a gift to, perhaps, a visiting dignitary.
The price beat the previous record – also achieved by Sheppard’s in 2012 when a matchbox-sized, carved Chinese jade seal sold for €630,00. The estimate for the seal had been €4,000-€6,000.
Both are classic examples of auction “sleepers” – the term used to describe items which have been massively, and unintentionally, undervalued but are spotted by at least two bidders who believe the true value to be far, far higher.
Chinese “sleepers” have emerged at Sheppard’s and other Irish and international auction houses during the past decade – and achieved jaw-dropping prices – as a generation of newly-rich Chinese collectors roam the world seeking to buy back items associated with the country’s imperial past.
But a bemused public may wonder why does this keep happening?
Auctioneers say that Chinese ceramics can be very difficult to value with absolute precision even by the most eminent experts. Items continue to slip through the net – to the delight of vendors and, of course, the auctioneers who earn whopping commission on such sales. Of course, it’s not just Chinese antiques that can cause a surprise. For example, at Adam’s auctioneers in Dublin in April this year, a painting of Christ with a top estimate of €800 sold for €120,000. But, in recent years, it is Chinese “sleepers” that have attracted most attention. The first major such sale in Ireland took place also at Sheppard’s in 2010 when another blue-and-white Chinese vase valued at around € 100, and consigned by a Carlow family who thought it was only of ornamental value, was bought by a London dealer for € 110,000. Since then, there have been quite a few spectacular prices achieved at Sheppard’s and other auction houses both here and overseas.
Spotting the imperial pieces among the sea of blue-and-white antique Chinese porcelain has become the stuff of legend in auction rooms worldwide. The market for antique Chinese porcelain is also reputedly full of counterfeits and so buyers and collectors need to exercise extreme caution. If you own a piece of Chinese porcelain and have never had it valued – now might be a good time to visit an auctioneer for a free valuation.

To view the full article, please go to:

https://www.irishtimes.com/life-and-style/homes-and-property/fine-art-antiques/rising-china-why-a-chinese-vase-made-740-000-at-auction-1.3126959